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Showing posts with label Superman. Show all posts
Showing posts with label Superman. Show all posts

FANBOY RANT: Dissecting the DC mini-boot



So, by now you've had a chance to fully digest the DC mini-boot coming this June. But that's not enough. Duke, I hear you asking, what do you think about the 24 new titles DC Comics is set to launch?  It's well you should ask because, being the consummate 47-year-old fanboy, I am possessed of an innate ability to judge, based on virtually no information whatsoever, which books will rock, and which will suck beyond all belief! What can I say, I'm a mutant. It's my lucky-special power.

Okay, so maybe I'm not quite that guy, but even if I'm not THE Comic Book Guy, I am a comic book guy, and I can tell you already which new titles I expect will make it onto my own personal pull list, and which ones I'm more likely than not to skip.

I'll share those assessments below, but the first thing to note is this statement form DC Comics Co-Publisher Dan Didio, given in a press release announcing the sort-of-but-not-really relaunch:
“In this new era of storytelling, story will trump continuity as we continue to empower creators to tell the best stories in the industry." 
That, in my ever so humble, is about the wisest thing Didio has ever said. Some have called this the "Batgirling" of the DC line, based on the recently launched new direction of the Batgirl title, as it went off-model, so to speak, and its creative team was allowed to pursue a look and direction that did not necessarily match the rest of the DCU. But really, it's a return to form to how comics were made when they cared more for the casual reader than the inveterate fanboy.

Longtime DC Comics editor Julius Schwartz once made a fairly famous reply to a fan about continuity. I haven't been able to find it online, but the gist of it goes like this: The fan wrote in to complain that men from Saturn where depicted differently in two different stories in, I think, Strange Adventures. Schwartz' reply was that DC was more concerned with telling good stories, which meant making sure a story was internally consistent, and less with ensuring that it lined up with every other story the company ever published. Sound editorial reasoning. Of course, this was said in the days before shared universes and decompressed story lines that last six months or more, when seemingly every story revolves around some worldwide cataclysm. Those kinds of things tend to invite readers to wonder what's going on in one title while events unfold in another. So, we'll just have to wait and see how long this new policy lasts. 

I mean, I'm no slave to continuity, but neither do I want all DCU stories to take place on Earth-B (look it up). I mean, I may like to see Batgirl teaming up with other members of the Batman Family from time to time, but what I want for her, and in the books below, is for each to have its own voice. 

Anyway, here are my thoughts on the "re-launch" titles:


BATMAN BEYOND
Writer: Dan Jurgens; Artists: Bernard Chang

I've never even seen the animated show that's the basis for this comic, so, fair to say, I've little built-in interest for this title. I'm almost certain to skip it.


BAT-MITE 
Six-issue limited series
Writer: Dan Jurgens; Artist: Corin Howell

It's been said that, at least in part,  the DC mini-relaunch involves a conscious decision to make comics fun again. The artist's model sheet for this series looks to do just that. My trepidation is that Jurgens is not known, by me at least, as a comedic writer. So, how much of a hoot this will be remains to be seen. That said, apart from the recent Aquaman and The Others series, Jurgens has always been a safe bet for my comics-buying dollar. At six issues, I'm sure to be all in for this.



BLACK CANARY
Writer: Brenden Fletcher; Artists: Annie Wu & Irene Koh

Yeah, I dunno. Fletcher wins points for his Batgirl makeover. But what's up with Black Canary here? I must have lost track of the character at some point, because I'm only passingly familiar with the fact that she's now an emo punk songstress, but I don't really know how or when she got that way. At any rate, this looks like a book that might be more compelling to female readers. And that's a good thing. I just don't think it's going to be for me.


BIZARRO
Six-issue limited series
Writer: Heath Corson; Artist: Gustavo Duarte

I'm not familiar with either creator, so I'm not sure what to expect. Bizarro is a concept that can be taken in so many directions. I still remember being not much impressed by the A. Bizarro series. The drawing included with the press release looks like a fun take on the me-am-do-opposite motif. It's unclear if this Bizarro is the New 52 Luther-built Frankenzarro, or not. He certainly looks more like that than the classic chalk-faced Bizarro No. 1. However, he may well be set in his own completely distinct, kid-friendly continuity, like the old Johnny DC line, only less lobotomized. Frankly, based on the PR drawing alone, this may be the series I am looking forward to the most. That means it's probably also going to be the one that disappoints me the most. We'll see. 



CONSTANTINE: THE HELLBLAZER
Writer: Ming Doyle; Artist: Riley Rossmo

Yeah, I've just never been on board with Constantine. I might be, if he was written more like Stanley Featherstonehaugh Ukridge with a magic wand – you know, the rascally English scamp who's always working a get-rich quick scheme while simultaneously calculating how to pay you on Tuesday for a hamburger today. But Constantine is not that. Constantine is a dick. And I don't want to read about an asshole. I like my escapist fantasy to be all about heroes and adventures and grand operatic themes. I don't mind a bit of the anti-hero, but Constantine is often more closely akin to an anti-villain. Pass.



CYBORG
Writer: David Walker; Artist: Ivan Reis

It's hard to know what to expect here. Cyborg has been, for me, one of the hardest things to accept about the New 52. I get that the Justice League needed a minority member, but Cyborg was, and in my mind forever will be, an integral cog in the New Teen Titans. I would have preferred if DC had made Black Lightning or someone else a founding League member, or else created a new black character to fill the role. Hell, they could have easily made John Jones a black guy. Still could, for what that's worth. But shoehorning in Vic, I dunno man — that just undoes so much, its hard for me to see the value in it. Plus, whenever I see Cyborg now, I seem to hear TPTB at DC saying, "Yeah, ya know, we just didn't have a lot of black characters to work with. After all, that is why he was made a member of the Super Friends, you'll recall."

So, I'll probably at least try the first couple of issues, but I'm not expecting much. I imagine what we'll get right off the bat is a supporting cast shoved at us, as well as a new home base. Trying to create a world for Vic to inhabit will take up a lot of panel space that should go into telling a story, and establishing a good villain. After all, the villain is how we define our heroes, isn't it? Cyborg's arch-nemesis should probably be someone based in social media somehow. Thats' what I'd do, anyway.


DARK UNIVERSE
Writer: James Tynion IV; Artist: Ming Doyle

Nope. I don't even know what this is, apart from a recent Dan Didio interview in which he said it has something to do with the "mystic side" of the DC Universe. All I need to now is the writer. I left Talon almost entirely because of Tynion. I'll have to see a lot of really good reviews on this title before I plop down my hard-earned.


GREEN LANTERN: LOST ARMY
Writer: Cullen Bunn; Artists: Jesus Saiz & Javi Pina

I'm kind of super-saturated on Green Lanterns at the moment. It would take a pretty big name to draw my interest, to tell the truth. Plus, something about the title screams "high concept" to me, meaning something that would probably make for an interesting limited arc, but which will undoubtedly will lose its power when drawn out over a continuing series. Pass.


DOOMED
Writer: Scott Lobdell; Artist: Javier Fernandez

When I saw the teaser image for this, I wondered if the character was a new version of Robotman, and if this might be a new take on the Doom Patrol. A new take is just what the DP needs, given the failure of the last 12 attempts to revive the team. I have a take of my own I'll unveil at some point. But, as it turns out, this is some sort of tie-in to the recent "Superman: Doomed" storyline, which I didn't read, and that significantly mitigates my interest. Plus, while I don't dislike Lobdell my any means, his has never been a name that immediately draws me to a book on its own merit.


EARTH 2: SOCIETY
Writer: Daniel Wilson; Artist: Jorge Jimenez

I didn't think much of Earth 2 from the start. It got a little better under Tom Taylor, but it continues to suffer a bitter aftertaste from James Robinson's set-up and initial run on the series. To my mind, it read more like a professional fanfic than anything else, as if it were the comic book equivalent of Bryan Singer's Superman Returns. Of course, I fully admit, some of that feeling stems from my own fanboy biases. To me, if you're going to call a book Earth-2, it should feature the real and actual Earth-2, picking up the threads from Infinity Inc., or better yet, the All-Star Comics/Adventure Comics run. 

This is not that, though. And so, I'll probably skim the first issue on the stand, but it's highly unlikely I'll be adding it to my pull list.


Dr. FATE
Writer: Paul Levitz; Artist: Sonny Liew

I desperately want a Dr. Fate series to work, even though few have, at least to my liking. The thing is, I want to delve into magic and mysticism, but I don't want stupid-weird. I'm not familiar with Liew's work, but what really gives me pause here is Paul Levitz. As a die-hard Legion fan, I revere the guy, but, much as it pains me to admit, I really haven't liked anything he's done since stepping out from DC's back office. His Worlds' Finest took forever to tell a story, in part because his scripts ran less than 1,000 words. I eventually dropped the title because it just wasn't worth spending $2.99 on a book that could bread in about six minutes. So, I'll have to take a good, hard look at this title before I commit.


HARLEY QUINN/POWER GIRL
Six-issue limited series
Writers: Jimmy Palmiotti & Amanda Conner; Artist: Stephane Roux

Golly, Harley has been popular of late. I missed the boat on her new series, in part because I was not a fan of the character's New 52 look. This might be a chance to jump in for a taste of what the regular series is like. I did enjoy Connor's brief run on Power Girl, so there's that added to the mix. Of course, we don't know yet if this is Faux Earth-2 Power Girl, or the new, New 52 Power Girl. This is one on which the jury is still out.


JUSTICE LEAGUE OF AMERICA
Writer/Artist: Bryan Hitch

Oh, yes. Hell, yes! A thousand times yes. Hitch has proven to me with Real Heroes that he can write, as well as draw some of the best comics in the history of the industry. I was all-in on this even when I expected months or more to pass between issues. But hearing that Hitch has been working on this for some time, and that we may get a solid string of monthly releases, has me excited beyond belief! 

It is interesting to note, however, that the image released is titled JLA15_PR,jpg. Why 15? I wonder if Hitch had been brought on for the regular JLA series, but fell far enough behind on deadline that his issues were pulled from the schedule until now? Justice League #15 did feature the start of the "Throne of Atlantis" storyline after a two-part Cheetah tale, so it's possible something else was planned initially.

Although billed as a continuing series, this will probably end up being a mini.


JUSTICE LEAGUE 3001
Writer: Keith Giffen; Artist: Howard Porter

Well, this isn't really a new book, is it? Unless, of course, the idea is to stay the course with turning this title into what amounts to Justice League International 3000. I'm not really down with that, to tell you the truth. I actually enjoyed the interplay of the cloned Justice Leaguers, and wanted more along those lines. Also of note: J. M. DeMatteis' name is not listed as a co-writer. Is he off the book? That might change things up. Giffen is a great idea man, but has not always been the greatest scripter, in my opinion. Without a strong editor or co-writer to temper his Beautiful Mind, he tends to run wild. 


MARTIAN MANHUNTER
Writer: Rob Williams; Artist: Ben Oliver

Here's another title I want to work, but expect to fail. Again, the first few issues are probably going to be all about setting up a supporting cast and a new base of operations. More likely than not we'll also get yet another rewrite on J'Onns' backstory, probably in the form of one of those, "Everything you know is a lie!" taglines.

For me, this book is real simple. What I want out of Martian Manhunter is a sort of comics noir. A police procedural would be just fine with me. I also want to see J'Onn SERIOUSLY depowered. If it were me, I'd say his powers are based on mass control, much like the vision. That would allow him to still range from super-strength to near-intangibility, but would lose all the other 99 powers he has. I'd also reduce others. Maybe adjust from full-on shapeshifting to an ability to slightly alter his (still humanoid) appearance and coloring, which could still lead to a form of invisibility by way of chameleon-like disguise. And pull back the telepathy for complete mental control to some form of empathic ability. Hey, he's a good detective because he can alway tell when someone is lying. And I'd sh!t-can the whole weakness to fire thing, changing it to a vulnerability to extreme heat, given the frigidity of his native world. For that reason, I'd also set his adventures in a northern clime. Maybe Ontario or Toronto, depending on what happens with the JLU. 

Basically, what I'm looking for here is Fargo with super-powers, by way of The Day the Earth Stood Still. What we'll probably get, however, is Plan 9 from Melrose Place.


MIDNIGHTER
Writer: Steve Orlando; Artist: ACO

Nope. Not even. I have no interest in psychopaths. Zip. Zero. Nada. Not even a little. Pass.


MYSTIC U
Writer: Alisa Kwitney; Artist: TBA

Not sure what this is supposed to be. Gotham Academy by way of Harry Potter, maybe? It could certainly use a more compelling title. Unless it stars Zatanna's fishnet stockings, and depending on who the artist ends up being (not a good sign to have no artist this late in the game, in my humble opinion), I expect to pass.


OMEGA MEN
Writer: Tom King; Artist: Barnaby Bagenda

Well, here's another title that's been tried 1,000 times and never quite lived up to expectations. What to do with this series? What to do, what to do? If this is the same thing it's always been, I'm liable to pass. What might be interesting is to change the concept from rebels fighting for independent will in an evil empire of collectivist thought to a comedic prisoner-of-war adventure motif. Let's call it Hogan's Heroes in space, with all the sensibilities of Firefly. I'd read that. Didio has said, however, that this title will be "dark and biting." So, it's probably not for me.


PREZ
Writer: Mark Russell; Artist: Ben Caldwell

I changed my mind about what I said concerning Bizarro, above. THIS is the new, New 52 series I'm most looking forward to. Just based on the teaser image, this looks like a fun take on a dystopian future. I don't mind the gender switch on Prez, although I do wonder why all of DC's best new books have female leads. It's like DC is afraid to let a male hero range anywhere between melancholy and buffoonery. Of course, there's always the danger of a title getting a little too lost in its high concept. This could easily become another Thriller.


RED HOOD/ARSENAL
Writer: Scott Lobdell; Artist: Denis Medri

No. I hate Jason Todd with a passion, and have ever since his character was changed to that of a punk hood in the immediate aftermath of the original Crisis. Roy Harper in space has never made much sense to me either. I have zero interest in this book.


ROBIN, SON OF BATMAN
Writer/Artist: Patrick Gleason

And, hey, speaking of little asswipes, Damian could've stayed dead, for all I care. I voted to kill Jason back in the day and I'd vote to kill Damian every time the opportunity presented itself. I do like Pat Gleason's art, however. I would buy something else by him. A little Kamandi, perhaps. Or, going the other way, Anthro.


SECTION EIGHT
Six-issue limited series
Writer: Garth Ennis; Artist: John McCrea

This is apparently based on something I don't know anything about. Didio has said it will be "exactly what people think it is." But I haven't foggiest idea what Section Eight is, or was, or whatever. All the signals say this is a book which I'll need to enter pre-loaded with some knowledge of the characters. Since I don't have that, I'll pass.


STARFIRE
Writers: Jimmy Palmiotti & Amanda Conner; Artist: Emanuela Lupacchino

Apparently, Starfire is back on Earth. And dressed. So, hooray. Honestly, I think the character looks a hell of a lot sexier in the Amanda Conner teaser image for the new seres than she ever did paling around with Roy and Jason as Little Miss Space Slut. I have high hopes given the writing team, but a commitment will come only after I've seen what Lupacchino's sequential art looks like.


WE ARE ROBIN
Writer: Lee Bermejo; Artist: Khary Randolph

Now, this one looks interesting. It's the weirdest concept among the new releases to be sure, but that's part of the appeal. Of course, this could go either way. It appears to be a youth movement, that's partly an attempt to crowdsource the Robin role (he's had a Legion of Robins already, after all, so youngsters can be forgiven for thinking the job is open to all comers), crossed with the only way untrained, over-exuberant kids could hope to defeat a villain, by basically flashmobbing him. A lot will depend on the scripting and how well the core group of Robin wannabees are written. This could be something great, but it could also be another version of The Movement, which I dropped after two issues. I'll probably give it a try, but a lot will depend on what else comes out in June, and what my budget looks like.



And, the returning titles


ACTION COMICS
Writer: Greg Pak; Artist: Aaron Kuder

I haven't read a lot of Pak's work, but dropped Batman/Superman because it was taking him too long to tell a simple story, which cost me too much per issue for the amount of time each took to read. Pass.

AQUAMAN

Writer: Cullen Bunn; Artist: Trevor McCarthy

I was enjoying the Jeff Parker/Paul Pelletier stories quite a bit. I don't know Bunn, but I do know I really disliked McCarthy's work on Klarion. I've been with this title since the Geoff Johns relaunch, but I'll be dropping it here.

BATGIRL
Writers: Cameron Stewart & Brenden Fletcher; Artist: Babs Tarr

Currently buying, stays on the pull list.

BATMAN
Writer: Scott Snyder; Artist: Greg Capullo

Meh. I dropped this title when it first went to $3.99, then came back for the "Death of the Family" arc, which seemed interesting, but kind of sputtered out, I thought. I left the title again during "Year Zero," given that it was taking forever and presented what seemed more an Elseworlds version of Batman's origin than the definitive telling. Like the incredibly stupid final movie in Christopher Nolan's Dark Knight trilogy, I just didn't buy Gotham being completely shut down and cordoned off as a no-man's zone. I didn't like every character ever suddenly becoming a part of Batman's origin, although it also made no sense for noone to have done anything about the city being shut off. But worst of all, making the Red Hood a criminal mastermind and arch nemesis from Day 1 was, I felt, a betrayal of the character. The idea was always that he was a two-bit nobody until he fell in a vat of chemicals and became the Joker. So, anyway, this title is the most popular thing DC is publishing right now. For that Snyder and Capullo are to be congratulated. It's just not for me.

DETECTIVE COMICS
Writers; Brian Buccelato & Francis Manapul; Artist: Francis Manapul

Nope. Not at $3.99.

BATMAN/SUPERMAN
Writer: Greg Pak; Artist: Ardian Syaf

What I said about Pak, above. $3.99 is too much for what this title delivers.

CATWOMAN
Writer: Genevieve Valentine; Artist: David Messina

Not a fan of the New 52 Catwoman. Although, to be fair, the Ed Brubaker/Darwyn Cooke run is the only version that's ever interested me for long. There's such a thing as too much of a good thing, and Catwoman has always seemed better suited to recurring villain status than title character.

DEATHSTROKE
Writer/Artist: Tony S. Daniel

Nope. A gritty character for a grimmer time. Not for me.

THE FLASH
Writers: Robert Venditti & Van Jensen; Artist: Brett Booth

Yeah, probably not. I actually dropped this title not too long ago, albeit from a different creative team. To my mind, what DC needs to do is snap is fingers — remember a little thing called "hypertime?" — and declare that the CW TV show continuity is now the comic book continuity. I love almost everything about the Flash TV show. Those are the characters I want to read about. Best of all, black Wally would finally make sense, although if he continues to be a little punk I'll still hate him.

GOTHAM ACADEMY
Writers: Becky Cloonan & Brenden Fletcher; Artist: Karl Kerschl

Not quite living up to its initial promise, but I'm sticking with it.

GOTHAM BY MIDNIGHT
Writer: Ray Fawkes; Artist: Juan Ferreyra

Isn't this the one set at Arkham? I dunno. And isn't Fawkes another Geoff Johns protege? I dunno, but he hasn't exactly set the world on fire for me. So, whatever this is, no.

GRAYSON
Writers: Tom King & Tim Seeley; Artist: Mikel Janin

A lot of people seem to like this series. I read the first two issues and thought it was a complete friggin' mess. So, that's a big no for me.

GREEN ARROW
Writer: Ben Percy; Artist: Zircher

I'm really following this, having dropped it last month. While DC had the TV show writers on the book, it should have just adopted the TV continuity. Still could. Still should. But would that draw me back to the title? The recent issues were just, meh. I did like it under Jeff Lemire, although in retrospect I think what I really liked about that run was Andrea Sorrentino's artwork. I really don't know what to think of this title. I half think it might be time to give Oliver Queen another time-out. Maybe DC could move this series to a parallel Earth where Green Arrow is a Native American, Oliver Crazy-Bear, or some such, and a militant environmentalist, making him a true "green" arrow. I'd give that a try. 

GREEN LANTERN
Writer: Robert Venditti; Artist: Billy Tan

I won't buy this title, just because, even with the recent cancelations, it feels like one has to keep up with five different series to have any idea what's going on here. It's just WAY too event driven. And Hal Jordan also needs a time out. His basic problem is that, right from the beginning, his civilian i.d. as a hotshot test pilot was outmoded, the era of The Right Stuff already past. Warner ventures into film and TV notwithstanding, I feel about GL the same as I do about Flash, Green Arrow, Aquaman, The Atom, and especially Hawkman. It's time to reboot the characters. And I don't mean just pass the torch, as was done in the '90s. No, I mean a total Schwartz-tastic do-over. Keep the concept — person with magic ring — but otherwise start from scratch, and try like hell to capture the current zeitgeist. 

I'm not really sure how to do that with Green Lantern though. He could be a she, for certain. And maybe something mixing in the original magic lantern concept with something that's like, but not quite the Tanget Universe version. And it could be a science-so-advanced-it-seems-like-magic thing, with an interstellar peace force that doesn't fly though space, but travels via stargates, from which Earth has been cut off since the days of ancient Egypt, until the lantern is rediscovered for what it is? So, what's our space-noir high concept then? Call it Stargate: Chinatown?

I dunno. I'm just throwing stuff at the wall, I guess. All I know is that I've been over Hal Jordan since Emerald Dawn.

HARLEY QUINN
Writers: Jimmy Palmiotti & Amanda Conner; Artist: Chad Hardin

This is one I just might try, based on rave reviews, given a decent enough jumping-on point.

JUSTICE LEAGUE
Writer: Geoff Johns; Artist: Jason Fabok

One I've stuck with. No reason to stop now. Wish it cost less, though.

JUSTICE LEAGUE UNITED
Writer and Artist: TBA

No creative team this close to release? Scary. My call would be to cancel it and try something new. Or, one interesting concept might be a team united from the various worlds and/or heroes that survive the coming Convergence. The title would make a little more sense that way, at least. What would the ideal line-up be, however? I dunno. Just taking an initial stab at it, maybe, as stand-ins for the classic team:

Superman = Kon-El Superman and/or Matrix Superwoman
Batman = Stephanie Brown Batwoman
Wonder Woman = Donna Troy
Flash = Wally West (maybe with kids?)
Green Lantern = Kyle Rayner
Aquaman = Kaldur'ham
Martian Manhunter = Miss Martian
Green Arrow = Connor Hawke
Atom = Ryan Choi
Hawkman = Ryan Kendall Black Condor
Black Canary = Renee Montoya Question
Phantom Stranger = Bloodwynd
Elongated Man = Ralph and Sue, not dead
Red Tornado = Cyclone
Hawkgirl = Hawkworld version
Zatanna = maybe White Witch as a survivor from Legion world?
Firestorm = Jason Rusch version

Some additional wildcards might be: Someone from the Detroit JLA, Mary Marvel, a Freedom Fighter, Ted Kord Blue Beetle, Amazing Man, and/or maybe someone from the Super Friends team like Apache Chief? And maybe Snapper Carr, the Wonder Twins, and/or Wendy, Marvin and Wonder Dog as mascots?

LOBO
Writer: Cullen Bunn; Artist: Cliff Richards

No. I hate Lobo. I have always hated Lobo. I will always hate Lobo. Lobo must die.

SECRET SIX
Writer: Gail Simone; Artist: Dale Eaglesham

I've never read any version of this title. Well, other than the classic Silver Age run, that is. I don't even know what the concept is supposed to be. If 'twere me, I'd make this a chick book, with the six being Batgirl, Supergirl, Wonder Girl, Stargirl, Hawkgirl, and, um . . . Zatannagirl. Yay, girl power!!

SINESTRO
Writer: Cullen Bunn; Artist: Bradley Walker

Haven't tried this one. To me, Sinestro is more interesting as a villain, or even as an anti-hero, for how he defines the Green Lantern Corps, than as a lead character in his own right. I'm kind of meh, here. 

NEW SUICIDE SQUAD
Writer: Sean Ryan; Artist: Carlos D’Anda

Just no appeal to me. Never has been. Not even in the classic Ostrander era. Dunno why.

SUPERMAN
Writer: Gene Luen Yang; Artist: John Romita, Jr.

I've no idea what to expect of the writer. I may stick with this for an issue or two longer. I do want to read a book by Romita Jr., he's just proven to me that book is not Superman.

SUPERMAN/WONDER WOMAN
Writer: Peter J. Tomasi; Artist: Doug Mahnke

Yawn. I'd rather have DC Comics Presents back. 

TEEN TITANS
Writer: Will Pfeifer; Artist: Kenneth Rocafort

From everything I've heard, this book has been an absolute disaster from Day 1. I really have no interest, even though the Titans were one of my fav. books in both their '70s and '80s incarnations.

WONDER WOMAN
Writer: Meredith Finch; Artist: David Finch

I really don't know what to say here. I've just never been that into Wonder Woman, apart from the George Perez years. I do like David Finch's art well enough, but reviews of his debut on the book with his wife called the issue "uneven and underwhelming." I'm probably a pass, unless I can't find enough good books to fill my budget when placing my pre-order in April.


So, as things stand right now, my DC pre-order in April, for comics on-sale in June, will be, for certain, just eight books:

Batgirl
Bat-Mite
Bizarro
Gotham Academy
Justice League
Justice League of America
Prez
Superman

Then, there are these eight titles on the provisional list, depending on what else is solicited that month. My monthly budget is $120, which includes a 20 percent discount off retail, plus 5.5 percent sales tax, so some of these won't make the cut:

Cyborg
Dr. Fate
Harley Quinn
Harley Quinn/Power Girl
Justice League 3001
Martian Manhunter
Starfire
We Are Robin.

Anyway, those are my thoughts. Your mileage, as the saying goes, may vary.
{[['']]}

CAPSULE COMMENTS: For comics on-sale Feb. 4, 2015



Lost job, crashed car, and family health issues have put me a bit behind the eight-ball, at least so far as keeping up with Shanghalla goes. So, I'm taking today off from the world and spending it on comic books, catching up with February reviews, starting first with items released Feb. 4 — or at least those things released that week that made it into my pull file. It was a short week, however, with just six new comics for me. Interestingly, four of the books — Jungle Jim, Ms Marvel, Stray Bullets and Superman — were solicited in the Diamond Previews catalog for release in January. Anyway, here's the run-down:


KING: JUNGLE JIM #1
Dynamite Entertainment, $3.99
[MILDLY RECOMMENDED]

So far, with Prince Valiant yet to be released, this is the best of the King Syndicate books, which is somewhat ironic in that this was the title I also was anticipating the least. This one reads better than the rest, I think, in part because Jungle Jim is less well-known than Flash Gordon, Prince Valiant, The Phantom, and even Mandrake the Magician. As such, writer Paul Tobin was allowed to take great liberties with the character. Here, he is a jungle god on Arboria, a planet within the realm of Flash foe Ming the Merciless. He is apparently able to both control animals and assume their shape, which is, I'd say, a fair leap from his original incarnation.

This book also does a better job that some of the the others in this new wave of King licensed books in making it clear that all of the characters live in a shared universe, where Ming's attempted invasion of Earth has just occurred, knocking Earth technology back to the start of the 20th century. That's the era, perhaps intentionally, when most of these characters first appeared.

In this issue, a stereotypically spunky Arborian girl, unable to locate Flash Gordon, wants to enlist Jungle Jim in helping to free her brother from Ming's prison. Prince Barin gives her a couple of beast men as her retinue and off they tromp into the forest to find a man who may or may not exist. It's not really clear to me if this version of Jim is still an Earth man. I presume not as he'd hardly have had time since Ming's invasion to travel to Arboria and become a mythological figure to its people.

From there it's a fairly standard search plot, with the company picking up a female village scout along the way, although there is a nice bit of bonding between our spunky lead and her hippo-man companion. We end the issue with the group finding Jim in the guise of a monkey that's been following them. Given that this series is to last five issues, it might've been more interesting if Jim had played the McGuffin a bit longer, or, perhaps even more interestingly, if the group eventually discovered he really is just a myth. But, it is what it is and I have to wonder if this series is fated to jump the shark once Jim emerges from the Jungle for the eventual prison break sequence?

The art by Sandy Jarrell, who also handles the colors, is just a step above serviceable. It's not bad, just bland, and I would have preferred a good inker to really embellish the drawings, most of which are the merest contours, with texture and shadow and definable light sources. Of course, part of the problem is that with a series like this, one really wants someone of the level of the Franks, Cho and Frazetta, or a Mark Schultz.

(Read Time: 10:45)
STORY GRADE: B 
ISSUE SCORE: 66.50
[Cover: 8:0 | Plot: 7.50 | Script: 7.75 | Layout: 6.75 | Artwork: 6.0 | Editing: 5.50 | Colors and Production Values: 7.25 | Dollar Value: 5.0 | Collectibility: 5.75 | The Gosh-Wow Factor: 6.0]




Ms MARVEL #11
Marvel Comics, $2.99
[MARVELOUSLY RECOMMENDED]

There's really not much to say about this issue, except that it's a good example of why I love this title. Basically, Ms Marvel is the hero I want in my comics — someone who is a little bit geeky, like me, but who has a strong moral compass and is always trying to do good. In many ways writer G. Willow Wilson is depicting, different gender and power sets aside, the Spider-Man of my youth. The big exception, of course, is that while this issue brings the concluding chapter of Ms Marvel's first story arc with the defeat of The Inventor, and The Inventor's inventor, after 11 chapters, the typical Spider-Man story of the '70s wouldn't have lasted more than an issue or three.

The art by Adrian Alphona continues to charm. The characters are a little too cartoonish in places, it's true, and the layouts are not always as clear as they could be in battle sequences, but he's given the character and her supporting players a definitive look that's bound to carry over if and when Ms Marvel makes the transition to other media. Ms Marvel is easily in my Top 5 among comic books currently being published.

(Read Time: 9:10, plus 3:40 for recap page/lettercol)
STORY GRADE: A–
ISSUE SCORE: 71.75
[Cover: 6.25 | Plot: 8.0 | Script: 9.0 | Layout: 6.75 | Artwork: 8.25 | Editing: 5.50 | Colors and Production Values: 7.75 | Dollar Value: 6.50 | Collectibility: 7.25 | The Gosh-Wow Factor: 7.00]



NAMELESS #1
Image Comics, $2.99
[RECOMMENDED (UNFORTUNATELY) ONLY FOR ADULTS]

In an increasingly common occurrence, my retailer got shorted on this when it first came out. He had to place a re-order, which finally arrived March 4. However, what finally came in was a second print.  The cover to my copy has an orange tint, as opposed to the green, seen at left. Clearly, my tiny shop in central Maine got its order allocated to a larger customer when advance re-orders came in higher than expected. That's my assumption anyway. Meanwhile, my assumption about the issue itself, as with most things written by Grant Morrison, is that he was strung out on something strong when he wrote it.

The first half of the book is typical Morrison weirdness. There's a nameless man searching Indiana Jones style for a forgotten relic. He's pursued — again Indiana Jones style — by a fish-faced infantry. And he'd captured by a priestess possessed by a parasitic larva. All stuff that would ordinarily peg the gosh-wow meter on my inner 12-year old. However, Morrison's script is so sprinkled with drops from his stream of consciousness as to be, for me at least, off-putting. I have trouble sinking into a story when I have to stop every third panel and wonder, "Now what the HELL does that mean?!" Some fans enjoy that kind of writing. Me, not so much. That's partly because, with Morrison, it always feels so practiced, like he's trying to hit me over the head with the fact that he knows more than he's telling at the moment. But also because, more often than not, it also feels like he's just making shit up as he goes along and, like the last episode of Lost, some plot threads will never be completed.

Speaking of "shit," it seemed odd to me that the word was spelled "shite" in the first half of the book, then "shit" in the back half. Knowing Morrison, I wondered at first if that was on purpose and, once I noticed the change, I went back to verify if it had been spelled differently in captions and word balloons. Maybe, I thought, because Morrison's stories always require more deciphering that should be necessary, that's a clue to something. But, no. it was used the same way in both captions and word balloons. It was just the British spelling in the first half of the book, then the American way at the end, as if Morrison — I see no editor listed on the book — decided, what the hell, might as well spell it the American way for the American audience, and never went back and edited the first few pages.

Of course, there was no good reason for the word "shit," to appear at all in this book, regardless of spelling. Nor "fuck." And certainly not "cunt," even once, let alone three times. This could have been an awesome all-ages book but for the language. It would have been just as easy to get across the uncouth nature of Mr. Nameless with a few less vulgar euphemisms, dashes in place of some letters, or even symbols to indicate swearing. And doing so, in my ever so humble, would have done nothing to insult the integrity of Morrison's writing.

Chris Burnham's art is very nice, and rather reminiscent of Frank Quitely here. Although he seems to lose interest in the latter half of the book. Just as Morrison's work, both plot and script, grow more conventional toward the end of the issue — turning into a story about an imminent impact from an asteroid that just happens to have a three-mile-long glyph exactly like the one on the temple Nameless raided —Burnham's layouts become less bold, his drawings more static. But maybe that's some sort of meta-textual commentary. With Morrison, you just never know.

(Read Time: 10:50)
STORY GRADE: B
ISSUE SCORE: 72.75
[Cover: 8:50 | Plot: 8.0 | Script: 6.75 | Layout: 8.0 | Artwork: 9.25 | Editing: 3.25 | Colors and Production Values: 8.50 | Dollar Value: 6.25 | Collectibility: 7.25 | The Gosh-Wow Factor: 7.00]



STAR WARS #2
Marvel Comics, $3.99
[ARTISTICALLY RECOMMENDED]

The best thing that can be said about this new Star Wars series is that writer Jason Aaron successfully captures the "sound" of the various characters, while artist John Cassaday absolutely nails their likenesses. Darth and the droids are pretty easy to depict, of course, but it's impressive how Cassaday makes Han, Luke and Leia look exactly like Ford, Hamill and Fisher, and not just occasionally in a panel that could have been taken from a movie still, but in each and every shot, from every possible angle. So, bravo there!

The drawback is that, at seven minutes, this book is a quick read for $4 and, as such, I'll probably drop the title before long. Frankly, there's not much plot here. Basically, the whole issue is our heroes trying to escape from the failed raid on Cymoon 1, the Empire weapons factory they landed on last issue.

There are neat bits, of course. This series takes place immediately after the movie I still refuse to call Episode IV: A New Hope, and Arron shows us, canonical or not, our heroes' introduction to AT-AT walkers and the 74-Z speeder bike, making it clear the tech was known to the rebels before The Empire Strikes Back and Return of the Jedi. There's also a cool bit in this issue where Vader "borrows" a storm trooper's helmet after getting his own knocked off by Han. Still, the action passes quickly in only a few moment's of story time. This would be an amazing few minutes in a Star Wars movie, but therein lies the problem. What Aaron has done here is produce a few really great pages of a movie script. But comics are not movies. Although both are visual storytelling mediums, they each have their own requirements as an entertainment product. Aaron is not to be blamed. For decades comics book creators have gone beyond Eisneresque adaptations of cinema techniques to full-on imitation of film and television methods. That's led to a decompression of the storytelling such that it now takes six months of more to tell s single story in comics. It must be remembered, however, that while a visual medium, comics are, at their heart, a participatory reading experience, not a viewing event. When a comic book does not have a satisfying beginning, middle and end the reader can enjoy in a single sitting, that comic is something of a failure, no matter how expertly it apes how stories are written and directed for the movies.

So, that's my soapbox. What we get here is a great script, and great art, that will undoubtedly be great when collected into a trade paperback. But based solely on how much story we get in this issue, it is not a great comic book.

On a side note, the bit with C-3PO trying to sound tough as he walked down the Millennium Falcon's gangplank, only to drop his gun, was a fun bit that had a very Firefly vibe to it. To my mind, it sort of gave a feel for what the coming round of Star Wars sequels might have been like if directed by The Mighty Joss. It would be cool to see Arron conscripted to write a Serenity series for Dark Horse Comics. Still, keeping with Star Wars for a moment, it would be nice for once to see 3PO do something other than get broken into bits and carted off by scavengers and soldiers. I hope Aaron will allow him to be a hero at some point before I decide this series is not worth $4 a pop and bail.

FWIW, I couldn't find a cover of this issue anywhere online that would format correctly, so that's why there is no image for this section.

(Read Time: 7:00, plus 0:25 for recap page)
STORY GRADE: B–
ISSUE SCORE: 73.25
[Cover: 7:0 | Plot: 6.25 | Script: 8.75 | Layout: 8.25 | Artwork: 9.50 | Editing: 5.25 | Colors and Production Values: 8.50 | Dollar Value: 4.0 | Collectibility: 8.0 | The Gosh-Wow Factor: 7.25]



STRAY BULLETS: SUNSHINE AND ROSES #1
Image Comics. $3.50
[BRUTALLY RECOMMENDED]

Since its return from hiatus, David Lapham's Stray Bullets has run hot and cold for me. Some issues have seemed insightful, if grotesquely blithe, divinations into the human condition. Others, like this issue, seem like so much snuff porn. Truly, Lapham is the Quentin Tarantino of comics.

Sadly, this issue has a sense of things happening because that's what the plot requires, and people getting blown away because that's what the reader expects. It's kill and re-kill to the point where I've starting to forget who's who. In some ways, this book has started to become a parody of itself. There is an interesting and tense bit in which Skottie and Kretchmeyer engage in a standoff, each with a gun to Amy's head, but even that, for some reason, feels to me more imitative of Pulp Fiction, than inspired by it.

Worse, the attempt to stay on a regular schedule of 28 pages per month is making the work suffer. Stray Bullets has always had the look of an art student's sketchbook to it, and that's been part of its unique charm. But several panels, and even a couple of entire pages, in this issue look particularly rushed, as if said art student was late for class, or stoned, or, most likely, both. Anyway, there are still a lot of fans of this book, but issues like this, in which the violence seems to exist only for the sake of violence, makes me wonder if SB's time has passed, making it part of a grim 'n' gritty zeitgeist better left to the 1990s.

(Read Time: 21:50)
STORY GRADE: C+
ISSUE SCORE: 68.25
[Cover: 7:25 | Plot: 8.0 | Script: 7.25 | Layout: 8.50 | Artwork: 6.25 | Editing: 6.75 | Colors and Production Values: 5.0 | Dollar Value: 7.0 | Collectibility: 6.50 | The Gosh-Wow Factor: 5.75]



SUPERMAN #38
DC Comics, $4.99
[BARELY RECOMMENDED]

So, yeah . . . whatever. The Johns/Romita Jr. collaboration comes to a whimpering conclusion that's far more interesting in terms of what it promises for future stories than how it wrapped up this one.

This arc is the perfect embodiment of what I complained about in the Star Wars commentary above. The story begun by Johns and Romita in Issue #32 has taken seven issues (released over more than eight months) to tell. And yet, this tale of Superman's forth-dimensional reverse doppelganger hasn't really contained more than three or four issues worth of actual plot. Hell, back in the Mort Weisinger era, this story would have been told just as, if not more memorably in a single 12-page back-up story.

I also have to say I've been a little disappointed with John Romita Jr.'s work. He's a good artist, with very strong storytelling skills in the layout department, but his style just is not well suited to Superman, in my opinion. I felt when reading this issue how I imagine comics fans must have felt in the 1970s when Jack Kirby came over to DC. As I read each issue in this arc, I kept finding myself hoping that, with the next issue, someone would bring in Jose Luis Garcia Lopez to paste new heads on Superman and the other main characters.

Superman's new power, unveiled here, is interesting, and a logical extrapolation of how Superman's powers have been explained post-Byrne. Cool ideas, if not concise plots, have always been Johns' strong suit. That said, I don't expect Human Bomb-Superman to last any longer than Electric Blue-Superman, which (fool me twice) got a lot more coverage in the mainstream press. I am, however, gratified to see Johns put a lot of things back where they belong with this issue. Although I came of age during an era when Clark Kent was a TV news anchor, he really belongs at the Daily Planet, and the whole Jimmy the Billionaire thing was an amazing transformation that played out for far too long.

Finally, while it makes perfect sense in the New 52 universe — in which Clark and Jimmy are far closer to being peers than they ever were in the Silver or even Bronze Ages — for Superman to reveal his secret identity, I have to wonder how that will play out. Well-meaning Jimmy is bound to spill the beans at some point, and that can't go well, which may be why the last panel of this issue, even though it's an unnecessary double-page horizontal spread, is my favorite.

(Read Time: 9:00, plus 1:15 for promo pages)
STORY GRADE: B
ISSUE SCORE: 64.50
[Cover: 4.25 | Plot: 6.75 | Script: 7.25 | Layout: 8.25 | Artwork: 6.75 | Editing: 4.75 | Colors and Production Values: 6.50 | Dollar Value: 4.0 | Collectibility: 8.75 | The Gosh-Wow Factor: 7.25]





STAT ATTACK!
TOTAL RETAIL COST: $22.45
MY COST (retail - 20% LCS discount + 5.5% ME sales tax): $18.53

COVER PRICE
High: $4.99 (Superman #38)
Average: $3.74
Median: $3.75
Low: $2.99 (Ms Marvel #11, Nameless #1)

PRODUCT PAGE COUNT
High: 40 (Superman #38)
Average: 30.67
Median: 28 
Low: 28 (Ms Marvel #11, Nameless #1, Star Wars #2, Stray Bulletts: Sunshine and Roses #1)

STORY PAGE COUNT
High: 30 (Superman #38)
Average: 24
Median: 23
Low: 20 (Ms Marvel #11, Star Wars #2)

STORY COST (price/story page count)
Best: 19.95¢/page (Star Wars #2)
Average: 15.77¢/page
Median: 15.79¢/page
Worst: 12.46¢/page (Nameless #1)

STORY READ TIME
High: 21:50 (Stray Bullets: Sunshine and Roses #1)
Average: 11:10
Median: 10:55
Low: 7:00 (Star Wars #2)

ENTERTAINMENT VALUE (price/story read time)
Best: 57¢/minute (Star Wars #2)
Average: 37.64¢/minute
Median: 34.87¢/minute
Worst: 16.03¢/minute (Stray Bullets: Sunshine and Roses #1)

PANEL AVERAGE (panels/story pages)
High: 7.29/page (Stray Bullets: Sunshine and Roses #1)
Average: 4.94/page
Median: 4.62/page
Low: 3.53/page (Superman #38)

WORD AVERAGE (words/story pages)
High: 
Average:
Median:
Low:

ADVERTISING PERCENTAGE (total pgs inc. covers/(ad pgs - house ad pgs))
High: 18.75% (Star Wars #2)
Average: 9.31%
Median: 10.60%
Low: 0% (Nameless #1, Stray Bullets: Sunshine and Roses #1)


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