Latest from Newsarama :
Recent Comics
Showing posts with label Batman. Show all posts
Showing posts with label Batman. Show all posts

FANBOY RANT: Dissecting the DC mini-boot



So, by now you've had a chance to fully digest the DC mini-boot coming this June. But that's not enough. Duke, I hear you asking, what do you think about the 24 new titles DC Comics is set to launch?  It's well you should ask because, being the consummate 47-year-old fanboy, I am possessed of an innate ability to judge, based on virtually no information whatsoever, which books will rock, and which will suck beyond all belief! What can I say, I'm a mutant. It's my lucky-special power.

Okay, so maybe I'm not quite that guy, but even if I'm not THE Comic Book Guy, I am a comic book guy, and I can tell you already which new titles I expect will make it onto my own personal pull list, and which ones I'm more likely than not to skip.

I'll share those assessments below, but the first thing to note is this statement form DC Comics Co-Publisher Dan Didio, given in a press release announcing the sort-of-but-not-really relaunch:
“In this new era of storytelling, story will trump continuity as we continue to empower creators to tell the best stories in the industry." 
That, in my ever so humble, is about the wisest thing Didio has ever said. Some have called this the "Batgirling" of the DC line, based on the recently launched new direction of the Batgirl title, as it went off-model, so to speak, and its creative team was allowed to pursue a look and direction that did not necessarily match the rest of the DCU. But really, it's a return to form to how comics were made when they cared more for the casual reader than the inveterate fanboy.

Longtime DC Comics editor Julius Schwartz once made a fairly famous reply to a fan about continuity. I haven't been able to find it online, but the gist of it goes like this: The fan wrote in to complain that men from Saturn where depicted differently in two different stories in, I think, Strange Adventures. Schwartz' reply was that DC was more concerned with telling good stories, which meant making sure a story was internally consistent, and less with ensuring that it lined up with every other story the company ever published. Sound editorial reasoning. Of course, this was said in the days before shared universes and decompressed story lines that last six months or more, when seemingly every story revolves around some worldwide cataclysm. Those kinds of things tend to invite readers to wonder what's going on in one title while events unfold in another. So, we'll just have to wait and see how long this new policy lasts. 

I mean, I'm no slave to continuity, but neither do I want all DCU stories to take place on Earth-B (look it up). I mean, I may like to see Batgirl teaming up with other members of the Batman Family from time to time, but what I want for her, and in the books below, is for each to have its own voice. 

Anyway, here are my thoughts on the "re-launch" titles:


BATMAN BEYOND
Writer: Dan Jurgens; Artists: Bernard Chang

I've never even seen the animated show that's the basis for this comic, so, fair to say, I've little built-in interest for this title. I'm almost certain to skip it.


BAT-MITE 
Six-issue limited series
Writer: Dan Jurgens; Artist: Corin Howell

It's been said that, at least in part,  the DC mini-relaunch involves a conscious decision to make comics fun again. The artist's model sheet for this series looks to do just that. My trepidation is that Jurgens is not known, by me at least, as a comedic writer. So, how much of a hoot this will be remains to be seen. That said, apart from the recent Aquaman and The Others series, Jurgens has always been a safe bet for my comics-buying dollar. At six issues, I'm sure to be all in for this.



BLACK CANARY
Writer: Brenden Fletcher; Artists: Annie Wu & Irene Koh

Yeah, I dunno. Fletcher wins points for his Batgirl makeover. But what's up with Black Canary here? I must have lost track of the character at some point, because I'm only passingly familiar with the fact that she's now an emo punk songstress, but I don't really know how or when she got that way. At any rate, this looks like a book that might be more compelling to female readers. And that's a good thing. I just don't think it's going to be for me.


BIZARRO
Six-issue limited series
Writer: Heath Corson; Artist: Gustavo Duarte

I'm not familiar with either creator, so I'm not sure what to expect. Bizarro is a concept that can be taken in so many directions. I still remember being not much impressed by the A. Bizarro series. The drawing included with the press release looks like a fun take on the me-am-do-opposite motif. It's unclear if this Bizarro is the New 52 Luther-built Frankenzarro, or not. He certainly looks more like that than the classic chalk-faced Bizarro No. 1. However, he may well be set in his own completely distinct, kid-friendly continuity, like the old Johnny DC line, only less lobotomized. Frankly, based on the PR drawing alone, this may be the series I am looking forward to the most. That means it's probably also going to be the one that disappoints me the most. We'll see. 



CONSTANTINE: THE HELLBLAZER
Writer: Ming Doyle; Artist: Riley Rossmo

Yeah, I've just never been on board with Constantine. I might be, if he was written more like Stanley Featherstonehaugh Ukridge with a magic wand – you know, the rascally English scamp who's always working a get-rich quick scheme while simultaneously calculating how to pay you on Tuesday for a hamburger today. But Constantine is not that. Constantine is a dick. And I don't want to read about an asshole. I like my escapist fantasy to be all about heroes and adventures and grand operatic themes. I don't mind a bit of the anti-hero, but Constantine is often more closely akin to an anti-villain. Pass.



CYBORG
Writer: David Walker; Artist: Ivan Reis

It's hard to know what to expect here. Cyborg has been, for me, one of the hardest things to accept about the New 52. I get that the Justice League needed a minority member, but Cyborg was, and in my mind forever will be, an integral cog in the New Teen Titans. I would have preferred if DC had made Black Lightning or someone else a founding League member, or else created a new black character to fill the role. Hell, they could have easily made John Jones a black guy. Still could, for what that's worth. But shoehorning in Vic, I dunno man — that just undoes so much, its hard for me to see the value in it. Plus, whenever I see Cyborg now, I seem to hear TPTB at DC saying, "Yeah, ya know, we just didn't have a lot of black characters to work with. After all, that is why he was made a member of the Super Friends, you'll recall."

So, I'll probably at least try the first couple of issues, but I'm not expecting much. I imagine what we'll get right off the bat is a supporting cast shoved at us, as well as a new home base. Trying to create a world for Vic to inhabit will take up a lot of panel space that should go into telling a story, and establishing a good villain. After all, the villain is how we define our heroes, isn't it? Cyborg's arch-nemesis should probably be someone based in social media somehow. Thats' what I'd do, anyway.


DARK UNIVERSE
Writer: James Tynion IV; Artist: Ming Doyle

Nope. I don't even know what this is, apart from a recent Dan Didio interview in which he said it has something to do with the "mystic side" of the DC Universe. All I need to now is the writer. I left Talon almost entirely because of Tynion. I'll have to see a lot of really good reviews on this title before I plop down my hard-earned.


GREEN LANTERN: LOST ARMY
Writer: Cullen Bunn; Artists: Jesus Saiz & Javi Pina

I'm kind of super-saturated on Green Lanterns at the moment. It would take a pretty big name to draw my interest, to tell the truth. Plus, something about the title screams "high concept" to me, meaning something that would probably make for an interesting limited arc, but which will undoubtedly will lose its power when drawn out over a continuing series. Pass.


DOOMED
Writer: Scott Lobdell; Artist: Javier Fernandez

When I saw the teaser image for this, I wondered if the character was a new version of Robotman, and if this might be a new take on the Doom Patrol. A new take is just what the DP needs, given the failure of the last 12 attempts to revive the team. I have a take of my own I'll unveil at some point. But, as it turns out, this is some sort of tie-in to the recent "Superman: Doomed" storyline, which I didn't read, and that significantly mitigates my interest. Plus, while I don't dislike Lobdell my any means, his has never been a name that immediately draws me to a book on its own merit.


EARTH 2: SOCIETY
Writer: Daniel Wilson; Artist: Jorge Jimenez

I didn't think much of Earth 2 from the start. It got a little better under Tom Taylor, but it continues to suffer a bitter aftertaste from James Robinson's set-up and initial run on the series. To my mind, it read more like a professional fanfic than anything else, as if it were the comic book equivalent of Bryan Singer's Superman Returns. Of course, I fully admit, some of that feeling stems from my own fanboy biases. To me, if you're going to call a book Earth-2, it should feature the real and actual Earth-2, picking up the threads from Infinity Inc., or better yet, the All-Star Comics/Adventure Comics run. 

This is not that, though. And so, I'll probably skim the first issue on the stand, but it's highly unlikely I'll be adding it to my pull list.


Dr. FATE
Writer: Paul Levitz; Artist: Sonny Liew

I desperately want a Dr. Fate series to work, even though few have, at least to my liking. The thing is, I want to delve into magic and mysticism, but I don't want stupid-weird. I'm not familiar with Liew's work, but what really gives me pause here is Paul Levitz. As a die-hard Legion fan, I revere the guy, but, much as it pains me to admit, I really haven't liked anything he's done since stepping out from DC's back office. His Worlds' Finest took forever to tell a story, in part because his scripts ran less than 1,000 words. I eventually dropped the title because it just wasn't worth spending $2.99 on a book that could bread in about six minutes. So, I'll have to take a good, hard look at this title before I commit.


HARLEY QUINN/POWER GIRL
Six-issue limited series
Writers: Jimmy Palmiotti & Amanda Conner; Artist: Stephane Roux

Golly, Harley has been popular of late. I missed the boat on her new series, in part because I was not a fan of the character's New 52 look. This might be a chance to jump in for a taste of what the regular series is like. I did enjoy Connor's brief run on Power Girl, so there's that added to the mix. Of course, we don't know yet if this is Faux Earth-2 Power Girl, or the new, New 52 Power Girl. This is one on which the jury is still out.


JUSTICE LEAGUE OF AMERICA
Writer/Artist: Bryan Hitch

Oh, yes. Hell, yes! A thousand times yes. Hitch has proven to me with Real Heroes that he can write, as well as draw some of the best comics in the history of the industry. I was all-in on this even when I expected months or more to pass between issues. But hearing that Hitch has been working on this for some time, and that we may get a solid string of monthly releases, has me excited beyond belief! 

It is interesting to note, however, that the image released is titled JLA15_PR,jpg. Why 15? I wonder if Hitch had been brought on for the regular JLA series, but fell far enough behind on deadline that his issues were pulled from the schedule until now? Justice League #15 did feature the start of the "Throne of Atlantis" storyline after a two-part Cheetah tale, so it's possible something else was planned initially.

Although billed as a continuing series, this will probably end up being a mini.


JUSTICE LEAGUE 3001
Writer: Keith Giffen; Artist: Howard Porter

Well, this isn't really a new book, is it? Unless, of course, the idea is to stay the course with turning this title into what amounts to Justice League International 3000. I'm not really down with that, to tell you the truth. I actually enjoyed the interplay of the cloned Justice Leaguers, and wanted more along those lines. Also of note: J. M. DeMatteis' name is not listed as a co-writer. Is he off the book? That might change things up. Giffen is a great idea man, but has not always been the greatest scripter, in my opinion. Without a strong editor or co-writer to temper his Beautiful Mind, he tends to run wild. 


MARTIAN MANHUNTER
Writer: Rob Williams; Artist: Ben Oliver

Here's another title I want to work, but expect to fail. Again, the first few issues are probably going to be all about setting up a supporting cast and a new base of operations. More likely than not we'll also get yet another rewrite on J'Onns' backstory, probably in the form of one of those, "Everything you know is a lie!" taglines.

For me, this book is real simple. What I want out of Martian Manhunter is a sort of comics noir. A police procedural would be just fine with me. I also want to see J'Onn SERIOUSLY depowered. If it were me, I'd say his powers are based on mass control, much like the vision. That would allow him to still range from super-strength to near-intangibility, but would lose all the other 99 powers he has. I'd also reduce others. Maybe adjust from full-on shapeshifting to an ability to slightly alter his (still humanoid) appearance and coloring, which could still lead to a form of invisibility by way of chameleon-like disguise. And pull back the telepathy for complete mental control to some form of empathic ability. Hey, he's a good detective because he can alway tell when someone is lying. And I'd sh!t-can the whole weakness to fire thing, changing it to a vulnerability to extreme heat, given the frigidity of his native world. For that reason, I'd also set his adventures in a northern clime. Maybe Ontario or Toronto, depending on what happens with the JLU. 

Basically, what I'm looking for here is Fargo with super-powers, by way of The Day the Earth Stood Still. What we'll probably get, however, is Plan 9 from Melrose Place.


MIDNIGHTER
Writer: Steve Orlando; Artist: ACO

Nope. Not even. I have no interest in psychopaths. Zip. Zero. Nada. Not even a little. Pass.


MYSTIC U
Writer: Alisa Kwitney; Artist: TBA

Not sure what this is supposed to be. Gotham Academy by way of Harry Potter, maybe? It could certainly use a more compelling title. Unless it stars Zatanna's fishnet stockings, and depending on who the artist ends up being (not a good sign to have no artist this late in the game, in my humble opinion), I expect to pass.


OMEGA MEN
Writer: Tom King; Artist: Barnaby Bagenda

Well, here's another title that's been tried 1,000 times and never quite lived up to expectations. What to do with this series? What to do, what to do? If this is the same thing it's always been, I'm liable to pass. What might be interesting is to change the concept from rebels fighting for independent will in an evil empire of collectivist thought to a comedic prisoner-of-war adventure motif. Let's call it Hogan's Heroes in space, with all the sensibilities of Firefly. I'd read that. Didio has said, however, that this title will be "dark and biting." So, it's probably not for me.


PREZ
Writer: Mark Russell; Artist: Ben Caldwell

I changed my mind about what I said concerning Bizarro, above. THIS is the new, New 52 series I'm most looking forward to. Just based on the teaser image, this looks like a fun take on a dystopian future. I don't mind the gender switch on Prez, although I do wonder why all of DC's best new books have female leads. It's like DC is afraid to let a male hero range anywhere between melancholy and buffoonery. Of course, there's always the danger of a title getting a little too lost in its high concept. This could easily become another Thriller.


RED HOOD/ARSENAL
Writer: Scott Lobdell; Artist: Denis Medri

No. I hate Jason Todd with a passion, and have ever since his character was changed to that of a punk hood in the immediate aftermath of the original Crisis. Roy Harper in space has never made much sense to me either. I have zero interest in this book.


ROBIN, SON OF BATMAN
Writer/Artist: Patrick Gleason

And, hey, speaking of little asswipes, Damian could've stayed dead, for all I care. I voted to kill Jason back in the day and I'd vote to kill Damian every time the opportunity presented itself. I do like Pat Gleason's art, however. I would buy something else by him. A little Kamandi, perhaps. Or, going the other way, Anthro.


SECTION EIGHT
Six-issue limited series
Writer: Garth Ennis; Artist: John McCrea

This is apparently based on something I don't know anything about. Didio has said it will be "exactly what people think it is." But I haven't foggiest idea what Section Eight is, or was, or whatever. All the signals say this is a book which I'll need to enter pre-loaded with some knowledge of the characters. Since I don't have that, I'll pass.


STARFIRE
Writers: Jimmy Palmiotti & Amanda Conner; Artist: Emanuela Lupacchino

Apparently, Starfire is back on Earth. And dressed. So, hooray. Honestly, I think the character looks a hell of a lot sexier in the Amanda Conner teaser image for the new seres than she ever did paling around with Roy and Jason as Little Miss Space Slut. I have high hopes given the writing team, but a commitment will come only after I've seen what Lupacchino's sequential art looks like.


WE ARE ROBIN
Writer: Lee Bermejo; Artist: Khary Randolph

Now, this one looks interesting. It's the weirdest concept among the new releases to be sure, but that's part of the appeal. Of course, this could go either way. It appears to be a youth movement, that's partly an attempt to crowdsource the Robin role (he's had a Legion of Robins already, after all, so youngsters can be forgiven for thinking the job is open to all comers), crossed with the only way untrained, over-exuberant kids could hope to defeat a villain, by basically flashmobbing him. A lot will depend on the scripting and how well the core group of Robin wannabees are written. This could be something great, but it could also be another version of The Movement, which I dropped after two issues. I'll probably give it a try, but a lot will depend on what else comes out in June, and what my budget looks like.



And, the returning titles


ACTION COMICS
Writer: Greg Pak; Artist: Aaron Kuder

I haven't read a lot of Pak's work, but dropped Batman/Superman because it was taking him too long to tell a simple story, which cost me too much per issue for the amount of time each took to read. Pass.

AQUAMAN

Writer: Cullen Bunn; Artist: Trevor McCarthy

I was enjoying the Jeff Parker/Paul Pelletier stories quite a bit. I don't know Bunn, but I do know I really disliked McCarthy's work on Klarion. I've been with this title since the Geoff Johns relaunch, but I'll be dropping it here.

BATGIRL
Writers: Cameron Stewart & Brenden Fletcher; Artist: Babs Tarr

Currently buying, stays on the pull list.

BATMAN
Writer: Scott Snyder; Artist: Greg Capullo

Meh. I dropped this title when it first went to $3.99, then came back for the "Death of the Family" arc, which seemed interesting, but kind of sputtered out, I thought. I left the title again during "Year Zero," given that it was taking forever and presented what seemed more an Elseworlds version of Batman's origin than the definitive telling. Like the incredibly stupid final movie in Christopher Nolan's Dark Knight trilogy, I just didn't buy Gotham being completely shut down and cordoned off as a no-man's zone. I didn't like every character ever suddenly becoming a part of Batman's origin, although it also made no sense for noone to have done anything about the city being shut off. But worst of all, making the Red Hood a criminal mastermind and arch nemesis from Day 1 was, I felt, a betrayal of the character. The idea was always that he was a two-bit nobody until he fell in a vat of chemicals and became the Joker. So, anyway, this title is the most popular thing DC is publishing right now. For that Snyder and Capullo are to be congratulated. It's just not for me.

DETECTIVE COMICS
Writers; Brian Buccelato & Francis Manapul; Artist: Francis Manapul

Nope. Not at $3.99.

BATMAN/SUPERMAN
Writer: Greg Pak; Artist: Ardian Syaf

What I said about Pak, above. $3.99 is too much for what this title delivers.

CATWOMAN
Writer: Genevieve Valentine; Artist: David Messina

Not a fan of the New 52 Catwoman. Although, to be fair, the Ed Brubaker/Darwyn Cooke run is the only version that's ever interested me for long. There's such a thing as too much of a good thing, and Catwoman has always seemed better suited to recurring villain status than title character.

DEATHSTROKE
Writer/Artist: Tony S. Daniel

Nope. A gritty character for a grimmer time. Not for me.

THE FLASH
Writers: Robert Venditti & Van Jensen; Artist: Brett Booth

Yeah, probably not. I actually dropped this title not too long ago, albeit from a different creative team. To my mind, what DC needs to do is snap is fingers — remember a little thing called "hypertime?" — and declare that the CW TV show continuity is now the comic book continuity. I love almost everything about the Flash TV show. Those are the characters I want to read about. Best of all, black Wally would finally make sense, although if he continues to be a little punk I'll still hate him.

GOTHAM ACADEMY
Writers: Becky Cloonan & Brenden Fletcher; Artist: Karl Kerschl

Not quite living up to its initial promise, but I'm sticking with it.

GOTHAM BY MIDNIGHT
Writer: Ray Fawkes; Artist: Juan Ferreyra

Isn't this the one set at Arkham? I dunno. And isn't Fawkes another Geoff Johns protege? I dunno, but he hasn't exactly set the world on fire for me. So, whatever this is, no.

GRAYSON
Writers: Tom King & Tim Seeley; Artist: Mikel Janin

A lot of people seem to like this series. I read the first two issues and thought it was a complete friggin' mess. So, that's a big no for me.

GREEN ARROW
Writer: Ben Percy; Artist: Zircher

I'm really following this, having dropped it last month. While DC had the TV show writers on the book, it should have just adopted the TV continuity. Still could. Still should. But would that draw me back to the title? The recent issues were just, meh. I did like it under Jeff Lemire, although in retrospect I think what I really liked about that run was Andrea Sorrentino's artwork. I really don't know what to think of this title. I half think it might be time to give Oliver Queen another time-out. Maybe DC could move this series to a parallel Earth where Green Arrow is a Native American, Oliver Crazy-Bear, or some such, and a militant environmentalist, making him a true "green" arrow. I'd give that a try. 

GREEN LANTERN
Writer: Robert Venditti; Artist: Billy Tan

I won't buy this title, just because, even with the recent cancelations, it feels like one has to keep up with five different series to have any idea what's going on here. It's just WAY too event driven. And Hal Jordan also needs a time out. His basic problem is that, right from the beginning, his civilian i.d. as a hotshot test pilot was outmoded, the era of The Right Stuff already past. Warner ventures into film and TV notwithstanding, I feel about GL the same as I do about Flash, Green Arrow, Aquaman, The Atom, and especially Hawkman. It's time to reboot the characters. And I don't mean just pass the torch, as was done in the '90s. No, I mean a total Schwartz-tastic do-over. Keep the concept — person with magic ring — but otherwise start from scratch, and try like hell to capture the current zeitgeist. 

I'm not really sure how to do that with Green Lantern though. He could be a she, for certain. And maybe something mixing in the original magic lantern concept with something that's like, but not quite the Tanget Universe version. And it could be a science-so-advanced-it-seems-like-magic thing, with an interstellar peace force that doesn't fly though space, but travels via stargates, from which Earth has been cut off since the days of ancient Egypt, until the lantern is rediscovered for what it is? So, what's our space-noir high concept then? Call it Stargate: Chinatown?

I dunno. I'm just throwing stuff at the wall, I guess. All I know is that I've been over Hal Jordan since Emerald Dawn.

HARLEY QUINN
Writers: Jimmy Palmiotti & Amanda Conner; Artist: Chad Hardin

This is one I just might try, based on rave reviews, given a decent enough jumping-on point.

JUSTICE LEAGUE
Writer: Geoff Johns; Artist: Jason Fabok

One I've stuck with. No reason to stop now. Wish it cost less, though.

JUSTICE LEAGUE UNITED
Writer and Artist: TBA

No creative team this close to release? Scary. My call would be to cancel it and try something new. Or, one interesting concept might be a team united from the various worlds and/or heroes that survive the coming Convergence. The title would make a little more sense that way, at least. What would the ideal line-up be, however? I dunno. Just taking an initial stab at it, maybe, as stand-ins for the classic team:

Superman = Kon-El Superman and/or Matrix Superwoman
Batman = Stephanie Brown Batwoman
Wonder Woman = Donna Troy
Flash = Wally West (maybe with kids?)
Green Lantern = Kyle Rayner
Aquaman = Kaldur'ham
Martian Manhunter = Miss Martian
Green Arrow = Connor Hawke
Atom = Ryan Choi
Hawkman = Ryan Kendall Black Condor
Black Canary = Renee Montoya Question
Phantom Stranger = Bloodwynd
Elongated Man = Ralph and Sue, not dead
Red Tornado = Cyclone
Hawkgirl = Hawkworld version
Zatanna = maybe White Witch as a survivor from Legion world?
Firestorm = Jason Rusch version

Some additional wildcards might be: Someone from the Detroit JLA, Mary Marvel, a Freedom Fighter, Ted Kord Blue Beetle, Amazing Man, and/or maybe someone from the Super Friends team like Apache Chief? And maybe Snapper Carr, the Wonder Twins, and/or Wendy, Marvin and Wonder Dog as mascots?

LOBO
Writer: Cullen Bunn; Artist: Cliff Richards

No. I hate Lobo. I have always hated Lobo. I will always hate Lobo. Lobo must die.

SECRET SIX
Writer: Gail Simone; Artist: Dale Eaglesham

I've never read any version of this title. Well, other than the classic Silver Age run, that is. I don't even know what the concept is supposed to be. If 'twere me, I'd make this a chick book, with the six being Batgirl, Supergirl, Wonder Girl, Stargirl, Hawkgirl, and, um . . . Zatannagirl. Yay, girl power!!

SINESTRO
Writer: Cullen Bunn; Artist: Bradley Walker

Haven't tried this one. To me, Sinestro is more interesting as a villain, or even as an anti-hero, for how he defines the Green Lantern Corps, than as a lead character in his own right. I'm kind of meh, here. 

NEW SUICIDE SQUAD
Writer: Sean Ryan; Artist: Carlos D’Anda

Just no appeal to me. Never has been. Not even in the classic Ostrander era. Dunno why.

SUPERMAN
Writer: Gene Luen Yang; Artist: John Romita, Jr.

I've no idea what to expect of the writer. I may stick with this for an issue or two longer. I do want to read a book by Romita Jr., he's just proven to me that book is not Superman.

SUPERMAN/WONDER WOMAN
Writer: Peter J. Tomasi; Artist: Doug Mahnke

Yawn. I'd rather have DC Comics Presents back. 

TEEN TITANS
Writer: Will Pfeifer; Artist: Kenneth Rocafort

From everything I've heard, this book has been an absolute disaster from Day 1. I really have no interest, even though the Titans were one of my fav. books in both their '70s and '80s incarnations.

WONDER WOMAN
Writer: Meredith Finch; Artist: David Finch

I really don't know what to say here. I've just never been that into Wonder Woman, apart from the George Perez years. I do like David Finch's art well enough, but reviews of his debut on the book with his wife called the issue "uneven and underwhelming." I'm probably a pass, unless I can't find enough good books to fill my budget when placing my pre-order in April.


So, as things stand right now, my DC pre-order in April, for comics on-sale in June, will be, for certain, just eight books:

Batgirl
Bat-Mite
Bizarro
Gotham Academy
Justice League
Justice League of America
Prez
Superman

Then, there are these eight titles on the provisional list, depending on what else is solicited that month. My monthly budget is $120, which includes a 20 percent discount off retail, plus 5.5 percent sales tax, so some of these won't make the cut:

Cyborg
Dr. Fate
Harley Quinn
Harley Quinn/Power Girl
Justice League 3001
Martian Manhunter
Starfire
We Are Robin.

Anyway, those are my thoughts. Your mileage, as the saying goes, may vary.
{[['']]}

THIS MONTH IN . . . 1939






First off, there is no “This Month In . . . 1934,” simply because no comic book was published in June of that year. What is widely accepted to be the first ongoing comic book series, Famous Funnies, made its debut in May 1934. But it started out as a bi-monthly title and the second issue would not appear on newsstands until July.

However, by June 1939, 75 years ago this month, and just five years after a completely comicsless month, the field had grown to 29 comic book series put out by nine different publishers — Centaur, David McKay, Dell, DC, Eastern Color, Fiction House, Fox, Quality and United Features. Actually, if you consider that Max Gaines’ All-American line was not yet officially a part of DC Comics, we could call it 10 publishers.

The big-whoop of June 1939, of course, is the official debut of the Sandman in Adventure Comics #40, following his stealth appearance in New York World’s Fair Comics #1 back in April. However, it’s worth noting that the Blue Beetle also makes his first appearance this month in Mystery Man Funnies #1, a mere two months after Batman first swung onto the scene, indicating he probably was in production before Batman appeared, making him more a reaction to Superman’s popularity that an attempt to clone success from the Darknight Detective.

In addition to Fox’s Mystery Man Funnies, two other companies launched new series this month. Quality Comics issued its second title, and its first featuring all-new material, with Smash Comics #1. Meanwhile, David McKay rolls out yet another collection of comic strip reprints with Magic Comics #1.

Interestingly, and I assume this is because it was a five-week month, three titles published two issues in June 1939. This is, at least, according to the sales data on Mike’s Amazing World of Comics. Per Mike, McKay’s Ace Comics and Dell’s Popular Comics, as well as Action Comics from DC, all put out issues during the first and last weeks of the month.

Discounting those three repeaters — their frequency being more a function of the calendar than an attempt, a la modern-day Marvel, to double-dip into fanboy wallets — we find soon-to-collpase Centaur is actually the industry leader at this point, with six titles, or 18.8 percent of the market. DC Comics puts out five titles (six if you count All-American) followed by five for Dell and three each for McKay and United Features.

Although super-heroes are rapidly rising in market share, the majority of comics are still strip reprints, as indicated by the number of titles featuring some variation of the word "Funnies," with fully half of the covers dedicated to comic strip characters or generic humor.

Here’s the breakdown, with some brief commentary on each comic book, for this month in 1939:


On-sale Thursday, June 1
(Note: The actual release date for some books listed as June 1 are unknown) 


COMICS ON PARADE #16 
United Features, 10¢, 64 pages

The coloring on this cover gives the image an almost photo-realistic feel, despite the cartoon-style rendering of boxer Dynamite Dunn. Yup, that's NOT Joe Palooka. Dunn, interestingly enough, shared title billing on the Joe Jinks comic strip for a mere two years, ending in 1936, two years before he gets cover billing here, proving, I guess, that early comic books were dipping pretty deep into the well for their features. Abbie and Slats, although written by the legendary Al Capp, is a strip you've probably never heard of. It stopped appearing in newspapers in 1971, four years after I was born. Still, at this point it was a big enough deal to warrant five pages in the anthology of strip reprints, while other feature enjoyed one or two pages, at most. Interestingly, while spinster Abbie gets a cover cameo, Slats gets shunted aside for Judy. I'm pretty sure that's Slat's love interest of the era, Judy Hagstone, and not the star of some other comics feature inside the book. These Comics on Parade issues are pretty rare — rare enough at any rate that I've yet to find a copy posted anywhere online.




HEIGH-YO SILVER (aka Large Feature Comic #3) 
Dell, 10¢, ~72 pages

And speaking of rare, here's a comic that's SO rare, the Grand Comics Database hasn't even indexed a copy! It's presumed to have run about 72 pages, although comics in this series ranged from 68 to 76 pages. Oddly, you won't find this comic listed in price guides under its actual title. During this era, Dell published a variety of one-shot comics. Most fans are familiar with the one now grouped in the Four Color Comics line. This series, because they had more pages than the average comic book, became known as Large Feature Comic, although that title only appeared in small print on covers to the the final five issues in the series, which ended with #30 in 1942. The issues were numbered sequentially, however, which is why they are grouped together even though, for most of the run, they consisted on unrelated strip reprints. Silver would return in issue #7, although that one's really not a comic book, but a 47-page prose story with accompanying illustrations, making it more of a full-sized Big Little Book. I'd be willing to bet this issue is something along the same lines. 






MOVIE COMICS #4 
DC Comics, 10¢, 64 pages

The infamous first failure of DC Comics (published by in-name-only subsidiary Picture Publications Inc.), nears the end of its six issue run. The book largely featured "fumetti" — comics stories made by patching together movie stills that were then airbrushed and lettered. Is that as horrible as it sounds? Yes, yes it is, exactly as horrible as it sounds, explaining why DC never put out a hardcover Movie Comics Archives. I have not been able to find any examples online from this issue, which featured Captain Fury, a Hal Roach movie about at Australian cowboy, but here's the adaptation of the John Wayne classic Stagecoach from issue #2, and of the Laurel and Hardy film, A Chump at Oxford, from #6, to give you some idea of how gross this book truly was.






POPULAR COMICS #41 
Dell, 10¢, 64 pages

Dell's first comic books series, following The Funnies in 1929, Popular Comics is a fairly unremarkable collection of strip reprints mixed with some new material. You can read this issue here, minus the copyrighted Tarzan text feature. What I find most interesting about this issue is that it features not one, but two aviation features — Tailspin Tommy and The Masked Pilot. Things would get REALLY interesting is a few issues with the debut of the character with the oddest name in comics, Dr. Hormone, in Issue #54.







FRANKIE DOODLE (aka Single Series #7) 
United Features, 10¢, 68 pages

Just as Dell had its Four Color and Large Feature series of one shots, so, too, did United Features, publishing strip reprints in a chaotically-numbered line we now know as Single Series, because each issue featured a single character, as opposed to the anthologies United Features otherwise published. Frankie Doodle seems an odd choice for his own book. His comic strip — originally titled The Doodle Family for its first year until Frankie took over and the the rest of the clan was jettisoned to funny page purgatory — only ran four years, from 1934-1938, and in just 87 newspapers at that. Like Dynamite Dunn, above, his strip had been canceled by the time this collection was published. It's possible United was trying to pawn Frankie off to comic book readers as an original creation. GCD indexers report the last digit on the copyright date "has been edited out." However, I suspect youngsters of the era, at least in the big cities, knew of Frankie, who was reportedly a male version of Little Orphan Annie. At the very least, United appears to have had enough confidence in the popularity of this particular issue that it tested a 15¢ variant edition, the only one in Single Series' 30-issue run. 






TIP-TOP COMICS #39 
United Features, 10¢, 64 pages

Another United anthology of strip reprints, Tip-Top would eventually become a showcase for Nancy and last until 1961, well into the Silver Age. At this stage, however, Tarzan was the cover feature, although you might have trouble telling that's him on this particular cover. I mean, get a comb, jungle boy! Despite Tarzan's presence, Tip Top appears to have been a comic that wound up in a lot of WWII era paper drives. Only a smattering of issues have been indexed on GCD.







Friday, June 2




ACE COMICS #28 
David McKay, 10¢, 64 pages

While United Features Syndicate published its own comics books, King Features Syndicate was content to farm out its strips to David McKay, a book publisher who's main claim to fame was issuing in 1907 the first complete collection of Shakespeare's works published in the United States. McKay got out of the comic book game in 1950. His company, by then run by his son Alexander, was absorbed by Random House in 1986. Ace Comics was almost exclusively King material, and pretty good stuff at that. Highlights in this issue include Alex Raymond's Jungle Jim, Billy DeBeck's Barney Google, Hal Foster's Prince Valiant, Chic Young's Blondie, and George Harriman's Krazy Kat. Having by far the better strips, Ace seems to have been saved by more buyers, given that nearly all of its run has been indexed on GCD.






ACTION COMICS #14  
DC Comics, 10¢, 64 pages

Zatanna's dad gets his second and final cover feature on the nascent Action Comics, although by this point editor Vincent Sullivan had figured out who the real attraction was, being sure to make certain readers knew Superman was also "in this issue." Supes' story is notable as the second appearance of the Ultra-Humanite, the first super-villain to face off against the Man of Steel and, decades later, the big-bad of my favorite JLA/JSA crossover of all time. Here, however, in his pre-body hopping days, ol' Humie is not the big white gorilla Bronze Age comics fans will grow to love, or even smoking hot movie starlet Dolores Winters. Instead, he's just a grizzled old, mad scientists, looking more like Lex Luthor than Luthor himself would when he first appeared 10 issues down the road. This story also contains one of Jerry Siegel's favorite tropes: Superman, still the social crusader in these early adventures, beating up on crooked developers who're just trying to make an easy buck by skimping a little on the quality of their construction. As often as this theme was played out in early comics, by Siegel and others, you'd think buildings and bridges were falling down on top of people as an almost daily routing in the 1930s!


Rounding out this issue, in addition to Zatara, are long-forgotten characters, including athlete Pep Morgan, explorer and pool party staple Marco Polo, soldier of fortune Clip Carson, adventurer and future whip-wielding mustachioed super-hero Tex Thomson, and cowboy Chuck Dawson. Carson, a creation of Bob Kane, insomuch as he hired Bill Finger to write this as well as Batman, makes his first appearance here. The Clipster would prove far less durable than Batman, however, his entire run lasting only 30 issues. 


For what it's worth, if I wrote for DC, I'd team these early Action Comics characters into a covert term of operatives working, Doc Savage style, for Superman, on those cases where super-strength and freeze breath just won't do the job.






COMIC PAGES Vol 3 #4 
Centaur Publications, 10¢, 48 pages

Given Centaur's nuthouse numbering system, due in part to the fact that it picked up most of its early titles from an outfit called Ultem Publications, which in turn acquired it from the Harry "A" Chesler studio, this issue is also listed in some places as #22. This is actually the first issue of Comic Pages, the numbering, such as it is, picking up from Funny Picture Stories. With its weird numbering, frequent title changes, sub-par production, and mix of inferior comics aside the occasional flash of brilliance, found, he can assume, almost by happenstance, Centaur was basically the Charlton Comics of its day. This title only lasted three issues. Neither the Digital Comics Museum nor Comics+ has a copy, but here's Vol. 3, Issue #6, to give you a feel for what the book was like.





Wednesday, June 7





AMAZING MYSTERY FUNNIES Vol. 2 #7 
Centaur Publications, 10¢, 48 pages

Also known as #11, AMF was less like Centaur's attempts to mimic the United Features, David McKay catalog of humor strips (see Comic Pages, above, and Star Comics, below) and more an effort to cash in on the super-hero craze created by DC. Here, Fantom of the Fair makes his debut by Golden Age great Paul Gustavson, creator of the Human Bomb for Quality Comics, as well as Marvel's original Angel. In addition to the cover — as iconic, I think, as any super-hero debut of the era — the work inside is pretty darn good, as well. You can read it here. Unfortunately, when your whole shtick is fighting threats, Phantom of the Opera-stlye, at the New York World's Fair, you're tenure is bound to be short-lived. Even a change of name to Fantoman couldn't prolong the character's crime-fighting career. He lasted a mere 14 issues in AMF, plus one in Amazing Adventure Funnies, although he did merit his own "Fantoman" series in 1940. Although that one lasted just three issues, it was on stands only two months after Batman's first solo outing.


Some 47 years later, in Secret Origins #7 (1986), Roy Thomas would recycle the Fantom as The Phantom of the Fair for his Sandman origin story. As noted below, while Sandman makes his official debut this month in Adventure Comics, a story prepared subsequently was actually printed first in DC's New York World's Fair Comics #1. Thomas had Sandman debut at the fair, where he met and fought a villainous version of the Fantom. The character, who even warranted a Who's Who in DC Comics entry, later appeared in Sandman Mystery Theater. Malibu Comics' Gavestone also was based on our friend Fanty.


This issue also contains an "Air-Sub DX" story by Human Torch creator Carl Burgos and a tale of policeman Bobby O'Neill by Bill Everett, of Sub-Mariner fame. Somewhere in the multiverse, there's an Earth were Centaur, not Timely, scored the seminal works by these two authors, which must have been produced at about this same time. Instead of sputtering out, Centaur went on to become comic's House of Ideas, while Martin Goodman got out of the game as quickly as he got in. Thus, Marvel Comics never existed and Stanley Leiber, having nothing else to occupy his time, went on to become the great American novelist. Or an insurance salesman. It's hard to say.






STAR COMICS Vol. 2 #6 

Centaur Publications, 10¢, 48 pages

Whole number 22, and the penultimate issues. A Centaur humor mag along the lines of Comic Pages. There's really not much going on here, as proven by the fact that the CGD index for the issue is all question marks when it comes to creator credits. Good luck finding a copy. Neither DCM or Comics+ has one posted, attesting to its relative rarity.












Thursday, June 8




MORE FUN COMICS #45
DC Comics, 10¢, 64 pages

Ah, yes, 1939, when good, wholesome fun was getting your nuts chomped off by some kind of wolf-bear hybrid. Although DC was by now making great strides with Superman in Action Comics and Batman in Detective Comics, while introducing future standout Sandman this month in Adventure Comics, it was still trying to figure out what to do with its first title, inherited from Major Malcolm Wheeler-Nicholson, who himself would have a great comic book character. There was the frequent balls-in-danger cover motif (see also: Issue #43), but beyond that, not much to differentiate the characters inside. This issue has Siegel and Shuster's Radio Squad and Bernard Baily's Buccaneer, plus, in keeping with the most-popular genre of the day, not one, not two, but three aviators, in the form of Wings Brady, Gary Hawkes and The Flying Fox. Other features included Marg'ry Daw, another Little Orphan Annie take-off, making her penultimate of nine appearances in More Fun, plus adventurer Biff Bronson, a refuge from Adventure Comics, Detective Sergeant Carey, a white officer investigating crimes in Chinatown, and Lt. Bob Neal of Sub 662, who enjoyed a remarkably long run of 27 issues, from #36-62. There's also The Red Coat Patrol, featuring stories of the Canadian Mounties starring an Irishman named O'Malley. Go figure, eh.






SUPER COMICS #14 
Dell, 10¢, 64 pages

Now I ask you, what's more fun than a cow in a bathtub? Nothing, I tell you! Nothing is more fun that a cow in a bathtub!! This was Dell's powerhouse package of comic strip reprints, featuring Dick Tracy, Smilin' Jack, Little Orphan Annie, Terry and the Pirates, Smokey Stover and Gasoline Alley, just to name a few still familiar to today's Sunday funnies aficionados. 









Tuesday, June 13




DETECTIVE COMICS #29 
DC Comics, 10¢, 64 pages

Batman makes his third appearance and second cover shot in what had to be an attention-grabbing image to young readers of the day. Here, he faces off against the diabolical Dr. Death, his first traditional super-villain. Interestingly, Gardner Fox, and not Bill Finger, wrote this issue's Batman tale, as well as the concluding chapter in #30. That may be why Dr. Death didn't appear again until #512, in 1982.


Also in this issue are the Crimson Avenger, who actually beat Batman to the masked crime-fighting game (he'll then take a break until Issue #37) and Siegel and Shuster's Slam Bradley, known to modern comics fans for his starring turn alongside Catwoman a few years back. The remaining characters are mostly forgotten these days, including private detective Larry Steele, who returns after a two-issue break (he ran from #5-26, and #29-63), Jerry Siegel's Bart Ragan, Spy (ran #1-77, #81-83), Fred Guardineer's Speed Saunders, Ace Investigator (ran #1, #3-58), aviator and amateur sleuth Bruce Nelson (ran #1-36), and Cosmo, the Phantom of Disguise, who actually never wore a disguise in more than a third of his adventures, published in Detective #1-20 and #22-37.






Thursday, June 15




ADVENTURE COMICS #40
DC Comics, 10¢, 64 pages

And here it is, the big whoop of the month, the debut of The Sandman! Here he's wearing orange (the more familiar green suit would come in #44) and has yet to add an 's' to his name, going by Wesley Dodd (he'd become "Dodds" in #44 as well). Sandman's co-creator, artist Bert Christman, who also drew the Scorchy Smith newspaper comic strip, was killed during World War II. His plane was shot down in 1942 while fighting with the famous Flying Tigers in defense of the Burma Road. He was just 26 years old. this story was reprinted in Justice League of American #94 (1971) and the hardcover Golden Age Sandman Archives (2004). Sadly, there was no Millennium Edition of this issue, probably because Sandman was its only costumed character.


Apart from Sandman, other features herein include: Adventurer Barry O'Neill (who bounced around several of DC's Platinum Era titles), Siegel and Shuster's Federal Men (which also landed in several early titles, lasting in Adventure until #70), cowboy Jack Woods (who came over from New/More Fun Comics before bowing out here with #42). Jack by the way, is the answer to the trivia question, "Who appeared on the cover of the very first DC comic book. Other features include flying ace Captain Desmo (who would transfer to More Fun after #47, where he'd stay aloft until 1941), Army intelligence officer Skip Schuyler (who'd lose his job by #46), and Anchors Aweigh!, about a pair of Navy pals (which weighed anchor in #52).  


In addition to Sandman, two other characters make their debut in this issue of Adventure. Adventurer Bulldog Martin plays straight man to the racial stereotyping of his faithful sidekick Jonah. He'd gain super-powers in #52, thanks to invisibility pills, but missed his shot at joining the Justice Society as he disappeared into comic book limbo after #55, never to be seen again. Boxer Socko Strong might have been given a shot at the JSA if he'd thought to dress up like a panther. Instead he fought on through #57 before retiring into obscurity. 


There's also a Bob Kane gag feature, Rusty and His Pals, as well as a two-page feature called Don Coyote, featuring "A playboy in King Arthur's Court, on which I can turn up little information.








FAMOUS FUNNIES #60 
Eastern Color Press, 10¢, 64 pages

The first regular comic book series is also the first one to reach #60, naturally. It's mostly reprints of comic strips that, frankly, weren't all that famous. Read this issue here. The art, however, is far superior to most comics books on the stands at this time, and among the features is Christman's Scorchy Smith, mentioned above. The Boy Scouts strip also is pretty decent.











THE FUNNIES #33
Dell, 10¢, 64 pages

Grizzly month continues, as we find our third comic book of June 1939 to feature a bear on its cover. 


Primarily a place for NEA Syndicate newspaper strips including Alley Oop and Captain Easy, The Funnies was, by this point, tossing in original material based on familiar concepts such as John Carter of Mars, The Wizard of Oz and cowboy hero Gene Autry.

The book converted to funny animals and became New Funnies with #65 cover-dated July 1942. That gave way to a particular group of funny animals and a name-change to Walter Lantz New Funnies with #109, in March 1946. The title lasted into the Silver Age, finally dying at #288, dated April 1962.






MYSTERY MEN COMICS #1
Fox Features Syndicate, 10¢, 64 pages

Somewhat less celebrated than The Sandman, though perhaps more popular in his day, at least by virtue of headlining his own title under two publishers from 1940 to 1950, with a revival by a third in 1955, the Blue Beetle also makes his first appearance on newsstands in June 1939. You might think that's him on this excellent Lou Fine cover, given the blue costume and the words "The Blue Beetle" floating just above his head. But you'd be wrong. That's actually the lead feature of this comic, a costumed character called The Green Mask. Yup, let that one sink in for a moment. Let's just say comic book coloring was not then the priority it is today.





The Blue Beetle inside is not the Blue Beetle you know. In fact, he's not even the Golden Age Blue Beetle you know, his costume limited to a Spirit-style suit and mask, with a beetle cravat. Interestingly, while it's often the modern Ted Kord version of the Blue Beetle whom we think of as an inventor, the original, policeman Dan Garrett, actually invented the cell phone! 

The Grand Comics Database says this story may have been written by Will Eisner, but it doesn't really read like Eisner to me. He is however, credited with the two-page text piece in this issue, entitled "The Haunted House." 


Despite the title, the Blue Beetle and the Green Flame are the only mystery men in this debut issue. The remaining line-up consists of the usual man-of-action types typical of the early Golden Age. There's sci-fi with Dick Briefer's Rex Dexter of Mars, crime with Chen Cheng, Mastermind (who's actually the villain of the piece), yet another aviator in the form of Wing Turner, Zanzibar the Magician by the great George Tuska, gunfighter The Waco Kid, Inspector Bancroft of Scotland Yard, Secret Agent D-13 by Bob Powell, Denny Scott of the Bengal Lancers, and, lastly, Lt. Drake of Navel Intelligence by Klaus Nordling, who at this point in his career could apparently only draw his hero from one angle in three-quarter profile. There's also a humor piece, with obvious antecedents, titled Hemlock Shomes and Dr. Potsam. 






Friday, June 16



SMASH COMICS #1 

Quality Comics, 10¢, 64 pages

If you've landed on this page, and if you've read this far, you are no doubt a true comic book fan. And, as such, you've probably asked yourself more than once, "Gee, I wonder, is it even possible for someone to draw a bad cover of a giant robot fighting a giant gorilla?" Now you know. It is. I've never been a fan of covers in which the hero has his back to the viewer. Unless said hero is walking away from a trash can with his costume hanging off the edge, best to try some other pose. 


Smash is Quality's second title, published soon after founder Everett "Busy Arnold bought out two of his three newspaper syndicate partners in Comic Favorites Inc. to form Comic Magazines Inc., Quality's corporate parent. Initially, Arnold had his comics packaged by Harry "A" Chesler, but by this point the material was coming out of the Eisner & Iger shop. As such, Eisner contributes Espionage starring Black Ace and Archie O'Toole (the latter in a cartoon style) both of whom star in stories continued from Feature Comics #22. There's also Chic Carter, Ace Reporter, by Vernon Henkel, who additionally contributed Abdul the Arab and the 12,000th aviator of the month, being the 10,550th named "Wing" or "Wings," in the form of Wings Wendell of the Military Intelligence. Other features include Captain Cook of Scotland Yard and Clip Chance at Cliffside, the latter continued from Feature Funnies #16, from before the ownership change and change of title to Feature Comics.


Finally, Bozo the Iron Man, as opposed to Marvel's Iron Man, who sometimes acts like a bozo, enjoyed a surprisingly long run given the artistic crudeness of the strip. With his second appearance next issue, bozo was outfitted by his controller Hugh Hazzard with a propeller on top of his head that enabled him to fly. 





Monday, June 19


STAR RANGER FUNNIES Vol. 2 #4 
Centaur, 10¢, 48 pages

With numbering continued from Cowboy Funnies, Star Ranger was another of  Centaur's humor series featuring forgettable characters, largely produced just for the comic, by creators unknown to this day. This issue is listed in some sources at #19, and I've also seen it listed, inexplicably, as #204. The title would only see one more issue before cancellation.









Wednesday, June 21




KING COMICS #40 
David McKay, 10¢, 64 pages

David McKay's flagship title, starring King Features' flagship strip, Popeye the Sailor Man. What else do you need to know? This book was mostly Sunday strip reprints of material from King Features Syndicate. Because most are still copyrighted, you don't often find issues posted online.











Friday, June 23




CRACKAJACK FUNNIES #14 
Dell, 10¢, 64 pages

More strip reprints from Dell, which, because most have long since lapsed into public domain, can be read here. Red Ryder is particularly good, and there are not one, but two female leads, including redheaded "Boots" and the variable hair-coloring of Myra North, Special Nurse. We also have yet another aviator in Speed Bolton, Air Ace, who spends more time here walking than flying. Plus, there's Clyde Beatty, Lion and Tiger Tamer, based on a real dude! Meanwhile the lead feature is Dan Dunn, Secret Operative No. 48, who was the first character ever to make his first appearance in the comic book format, way back in 1933 in a one-shot mag put out by Humor Publications. All other characters who appeared  before Dunn in anything resembling a comic book were actually reprinted from other sources, including Mr. Obadiah Oldbuck.






Sunday, June 25




ALL-AMERICAN COMICS #5 
All-American Comics, 10¢, 64 pages

Although thought of today as a DC comic, All-American Comics was the flagship title of a separate company, founded in 1938 by Max Gaines, who is purported to have invented of the comic book format five years earlier. All-American had separate editorial offices from DC, but was founded on funds provided by DC publisher Harry Donenfeld, while the two companies shared the services of numbers man Jack Liebowitz. The Flash, Green Lantern, Wonder Woman and the Justice Society were all published by Gaines' company, until he sold out to Donenfeld in 1946,  just as the Golden Age of comics was waning.

Max Gaines appears to still be trying to figure out what his comic book wants to be, if this generic patriotism cover is anything to go by. Inside it's mostly reprints of newspaper strips, including Mutt & Jeff, Toonerville Folks and Reg'lar Fellas, along with original features like Red, White and Blue, created by Jerry Siegel, and Spot Savage, All-American News Hound, by future Flash creator Harry Lampert. There's also a four-page story of Hop Harrigan, the only aviator on stands this month to eventually warrant his own radio show, along with a movie serial and a fan club. The high point of the issue, however, is undoubtedly Sheldon Mayer's semi-autobiographical Scribbly, the Boy Cartoonist






Monday, June 26





FUNNY PAGES VOL. 3 #6 
Centaur, 10¢, 48 pages

Or, issue #29. I haven't found this issue online, but here's #8 to give you some idea what it was like. The main attraction, of course, was Paul Gustavson's The Arrow, who preceded a certain emerald archer by more than three years. Like Star Comics, this title was purchased from the short-lived Ultem Publications, which in turn bought it from Comics Magazine Company, founded by John Mahon and Bill Cook, employees of financially strapped Major Malcolm Wheeler-Nicholson, whose titles would form the basis for DC Comics. They reportedly walked with some of the Major's inventory, including Dr. Occult pages, in lieu of payment.







JUMBO COMICS #9 
Fiction House, 10¢, 64 pages

Jumbo, shrinks from large tabloid size to an 8.5x10.5-inch package with this issue, eventually settling into standard Golden Age dimensions with #10. The only version I've found online is from black & white microfiche, but there's much to recommend it. Packaged by the Eisner & Iger shop, there are three features, each, by Will Eisner and Lou Fine, albeit under pen names, as well as Bob Powell's Sheena, Queen of the Jungle — hummina, hummina, hummina!









KEEN DETECTIVE FUNNIES Vol. 2 #8 
Centaur, 10¢, 48 pages

Or, #12. A mix of new features and reprints Centaur got when it bought Ultem, taken from Detective Picture Stories. The lead feature, making his second appearance here, was The Masked Marvel, by Ben Thompson. Mostly, it and everything else in Keen is pretty forgettable stuff, although Dean Denton  may be the only super-ventriloquist super-hero.










Wednesday, June 28




WONDERWORLD COMICS #4 
Fox Features Syndicate, 10¢, 64 pages

Having been retitled from Wonder Comics with #3, after being sued by DC over supposed Superman-clone Wonder Man, Wonderworld is still being packaged here by the Eisner & Iger shop, with the primary attraction underneath this generic cover being Lou Fine's The Flame, along with super-magician Yarko the Great, by Eisner and Powell. Everything else in the issues is mostly meh, including Esiner's X-51 Spies at War, although we do have work here by Tuska, Powell and Nordling.







Thursday, June 29




ACTION COMICS #15 
DC Comics, 10¢, 64 pages

Our second issue of Action to grace newsstands in the month of June 1939 has a rare (only?) Superman drawing by Fred Guardineer, who normally handled Zatara. In February 2014, the original art for this cover — the fifth to feature Superman after Nos. 1, 7, 10 and 13 — sold at auction for $286,800. It's the oldest Superman cover known to exist and may be the earliest extant drawing of the Man of Steel, period. If you're ever at Bedrock City Comic Company in Houston, you may be able to see this cover, as its new owner, Richard Evans, was the buyer. 


The guts of the book are much the same as described in #14, above, with Superman using his powers to  uncover $2 million in sunken treasure for funding needed to keep the doors open at Kidtown, a home for underprivileged youth. It's not a particularly good story, frankly. You can read it in Superman: The Action Comics Archives Vol. 1 (1997), The Superman Chronicles Vol. 2 (2007), or Superman: The Golden Age Omnibus #1 (2013)






Friday, June 30



FEATURE COMICS #23 
Quality Comics, 10¢, 64 pages

A nix of new features and strip reprints, including Joe Palooka and some stuff by the great Rube Goldberg, as well as the cover-featured Charlie Chan. There's also a badly drawn story of The Clock, who was the very first masked hero in comic books, who first appeared as the cover feature of Funny Picture Stories #1, on stands Sept. 18, 1936. That book was published by Comics Magazines, which eventually became Centaur, but at some point The Clock's creator, George Brenner, made the jump to Quality Comics, taking his character with him. Brenner, by the way, also was the brains behind Bozo the Robot. Otherwise, there's not much to recommend this issue. It would be several more months before Feature would hit its stride with the introduction of Doll Man.






MAGIC COMICS #1 
David McKay, 10¢, 64 pages

A new title from McKay comprised almost entirely of strip reprints. That's Henry on the cover, a mute who was sometimes drawn without a mouth. He communicated entirely through pantomime, which I suppose must have been hi-larious back in the day. Henry started out as a Saturday Evening Post gag cartoon in 1932 before transitioning to newspaper strips. According to wikipedia, he still appears in about 75 papers, but he only lasted as the cover feature on Magic through #7. He shared the cover, somewhat incongruously, with Mandrake the Magician from #8-11, before giving way entirely. With #25 the Bumstead clan, primarily in the form of patriarch Dagwood, took over the cover for the rest of Magic's run, which lasted through to the end of 1949.


And finally, here are the covers for the other two, double-shipped books for the month, with contents much the same as described above. 






POPULAR COMICS #42 
Dell, 10¢, 64 pages















ACE COMICS #29  


David McKay, 10¢, 64 pages















JUNE 1939 INDEX





32 comics from 10 publishers: Centaur (6—18.7% of the market), DC (6—15.6%), Dell (5—15.6%), McKay (3—9.4%), United Features (3—9.4%), Fox (2), Quality (2), All-American (1), Eastern Color (1), Fiction House (1).











Cover price: 


32 at 10¢ ($1.71 in 2014 dollars).




Median and average cover price: 10¢









**Total retail value all comics: $3.20 ($54.58 in 2014 dollars)**











Page count: 


Five at 48 pages, 25 at 64 pages, one at 68 pages, one at 72 pages.




Median page count: 64




Average page count: 61.88


Cover features:
Humor (10—31.3%), super-hero (7—21.9%), comic strips characters (6—18.8%), action/adventure (3), crime (1), jungle (1), movie/tv adaptation (1), patriotic (1), western (1).

{[['']]}

Twitterfeed

 
Support : Creating Website | Johny Template | Mas Template
Copyright © 2011. Shanghalla - All Rights Reserved
Template Created by Creating Website Published by Free Blogger Templates
Proudly powered by Blogger